![]() The pair’s proximity to skid row in the heyday of S.A. His portraits of former gang members describing their lowest points are visceral moments in the film. The director does not shy from exploring the violence, despair and addiction that often accompany a life on the streets. Mister Cartoon, center, and Estevan Oriol, right, with Ricardo de Montreuil, director of "Lowriders." Mister Cartoon and Oriol were executive producers of the 2017 feature film centered around L.A. “Most of the Chicano art comes from out in the streets, from the revolution, fighting for their place in the community.” “A lot of great art has come from struggle, struggle in people’s own lives, in their community and in their head-space,” Oriol says. Along the way, as "LA Originals" shows, Mister Cartoon and Oriol keep it, in a word, real. Mister Cartoon even supplies imagery for the video game "Grand Theft Auto: San Andreas." And they were executive producers on the 2017 feature film "Lowriders," set in East L.A.'s car scene. ![]() Oriol and Mister Cartoon team with top-tier brands including Nike and T-Mobile and Hollywood producers like Brian Grazer. … That’s big.”Ī striking theme that runs throughout “LA Originals” is how true to their roots the artists remain, no matter how big their profiles become. “This is a young woman in Beijing, so far removed from L.A. “I'm like, dude, how do you know that's Mister Cartoon?” Bryant says. The employee who stopped him then asked if his ink was by Mister Cartoon. He describes being told that he could not leave his tattoos uncovered in a Beijing hotel gym facility. The late Kobe Bryant is also interviewed. ![]() ![]() “Now I’m brothers with 50 Cent and Eminem and Beyoncé and everyone else,” says actor Ryan Phillippe in the film, referring to his ink by Cartoon. Dre, B-Real, Sen Dog, Michelle Rodriguez, Nas, Xzibit, Big Pun, Travis Barker, Danny Trejo, Rick Ross, Kim Kardashian, Eva Longoria, 50 Cent, Pharrell, Paul Wall, Christina Aguilera and a host of others. In “LA Originals,” the list of cameos and in-person interviews is astounding, rivaling any marquee awards telecast of the past couple decades: Beyoncé, Dr. Everyone, it seemed, wanted a Mister Cartoon tattoo, and everyone also wanted to have a portrait taken by Oriol. Celebrities across the spectrum took notice. In their heyday, Oriol and Mister Cartoon embodied the essence of 1990s West Coast urban culture: graffiti, hip-hop, lowriders and tattoos all merged with them and their creative circles. warehouse studio in 2009 working on a billboard commissioned by Universal Studios for "Fast & Furious." (Kirk McKoy / Los Angeles Times) Almost immediately, the two recall in an interview this week, they recognized themselves in the other. Both were coming up in their respective fields and wanted to take L.A. Oriol and Mister Cartoon met in 1992 at a record-release party in Hollywood. “These dudes are like cholo Da Vincis,” comedian George Lopez says. More than anything, it’s a portrait of two great artists who found kinship and inspiration in each other and continue to do so today. Upon viewing it in a period of pandemic-forced lockdowns and isolation, the film becomes an especially urgent celebration of life in Los Angeles, acknowledging its ups and downs. The film is a raw, often jarring portrait of one of the richest creative partnerships in this town’s history. On Friday, Netflix is premiering the documentary “LA Originals,” directed by Oriol, which charts the two artists’ lives and careers. street art and Chicano culture into the boardroom - and into your living room. By bridging the gap between cultural gatekeepers and the urban landscape, Oriol and Mister Cartoon brought the roughest realms of L.A.
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